

Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary "Quatre peintres belges au travail" (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person’s life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts’s concept of cinéma critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.
Director: Paul Haesaerts
Edgard Tytgat
Self
Albert Dasnoy
Self
Jean Brusselmans
Self

Paul Delvaux
Self

Frida Kahlo
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Paparazzi
1964

The Poet of the Castle
1959

Workers Leaving the Lumière Factory
1895

Brasilia, Contradictions of a New City
1968

Larisa
1980

Leonardo: The Works
2019

The Méliès Mystery
2021

Imogen Cunningham, photographer
1970

The Apprentice
2013

The Master of Apipucos
1959

Carl och spelreklamshelvetet
2019
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